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Archive for March, 2009

A Hallmark Square Dance Moment… tissues optional

March 20th, 2009 1 comment

In square dance land there are a number of beautiful things that happen. I count myself blessed with the friends I’ve made and I’m thankful for so many rich memories.

Here’s another one. (The tissues are optional.) If you want to read the original, here’s the link:
http://www.boston.com/news/local/massachusetts/articles/2009/03/20/shes_square_with_life/

Thanks go to Guy Steele for pointing this link out to me.

The article is © Copyright 2009 Globe Newspaper Company.

She’s square with life

By: Steven Rosenberg

Hospice brings partners for resident’s last dance

NORTH READING – Marilyn Coyne survived the Depression with little food and no heat in her parents’ flat in Portland, Maine. She married and sent four kids to college. She saw her husband and one of their children die. And, in November, after three years of fighting breast cancer, she was told by a doctor that she had months to live.

In hospice care and losing weight in recent weeks as the cancer crept through her body, she confided to a hospice volunteer that she had a last wish, something that recalled summer nights of her childhood and joy with her husband. She wanted a final square dance.

Yesterday, her wish came true. Coyne donned a floral skirt, a crimson petticoat, and a red peasant shirt, and walked to the center of a nursing room social hall, where nine professional square-dancers, dressed in cowboy shirts and calico, waited for her.

It had been a decade since she last clasped hands with a partner, but as music played, the elfin Coyne deftly followed the dance caller’s instructions of allemande left, promenade, and do-si-do. After five minutes of swinging her partner, and singing along with “She’ll Be Com ing ‘Round the Mountain,” Coyne let her thin, 82-year-old frame fall into a padded wooden chair and took a deep breath.

“That,” she sighed, “was wonderful.”

It may have been bittersweet, this scene, but it befitted the decades that led to it. For much of her life, Coyne had sought refuge on the square-dance floor. She learned the art as a child growing up on Portland’s mostly-Irish Munjoy Hill, where she received the nickname Minty. The name stuck for life (she never liked Marilyn, she says) and still hints of a youth long past.

“I’m Minty McNeill Coyne, the girl who could steal any heart, anywhere, any time,” she says.

As a teenager, she met Patrick Coyne. The two went to separate Catholic high schools in the city, but they became fast friends, brought together by poverty and hardship and, ultimately, by square-dancing. After their first square dance together, they realized there was more than friendship between them. “I just liked him from the very start. We were good friends and got along very well,” she said. They married in 1947.

In Portland, Patrick worked as a foreman for the city water district, and Minty took a clerk job at a credit union. The couple had four children. Minty says she lived a “simple life,” working, taking care of her children, and putting her passion into baking apple pies and attending weekend square dances. There, she found escape among people who, like her, reveled in music, dance, and small talk.

“I’d feel free when I danced, and it’s nice if you have a husband who likes it. I have some friends and their husbands would never do anything like that,” she said.

All of her children would graduate from college, fulfilling her dream for them. “I never could go. I wanted them to go so bad,” said Minty, who is 4 feet, 10 inches tall, has sharp blue eyes, and short silver hair.

One son became a doctor, a daughter became a lawyer, another son went into real estate, and a third son, Danny, was an assistant secretary of state in Maine. At a family picnic in 1991, when Danny Coyne was 40, Minty watched as her son collapsed during a basketball game and died.

“I screamed ‘Danny’s dead, Danny’s dead’ over and over, and cried and cried,” she said, adding that there is no such thing as closure when one loses a child.

Tired of Maine’s frigid winters, the couple moved to Gulfport, Fla., in 1995, determined to square-dance as much as they could. She sewed all of her dresses and shirts. She bought her petticoats and shoes.

Ten years into their retirement, Patrick died, and Minty moved north to be closer to her daughter, Carol. She settled into an assisted-living facility in Tewksbury and soon after, felt pain around her breast. After tests, she was told she had breast cancer and had a breast removed.

The cancer never went away.

After Coyne mentioned her desire for one last square dance, Camryn Walsh, of Care Alternatives Hospice, decided to bring the dance to Minty. Walsh arranged to bring the Riverside Squares, a Danvers square-dancing group, to Minty’s floor at the Meadow View Care and Rehabilitation Center in North Reading.

“What we really try to provide is comfort and dignity when patients and families are faced with incurable disease,” said Walsh.

For an hour yesterday, the music played and dancers danced while a small crowd of nursing home residents, and Minty’s nurses and social workers, hooted and hollered in appreciation. Then the dancers packed up and were gone, and Minty sat in the dining room, talking about everything from the economy and technology to nature. She’s waiting for a really warm day so she can take a walk outside. “I don’t like sitting around,” she said.

She does not fear death or dwell on the idea of not being around much longer. “I know I’m going to die one day but it doesn’t bother me. I don’t think about dying,” she said. “I believe in afterlife. I assume there’s a heaven. . . . I’ll let you know if I get there.”

Steven Rosenberg can be reached at srosenberg@globe.com.

2009-02-07 Zane Grey Twirlers

March 18th, 2009 No comments

More news from Square Dance Land!

It seems that not only am I way behind in my updates but I also skipped an event. For those of you on FaceBook, you know already about the changes coming in the Cole household. We’re expecting our first child in September. (Give or take.)

Saturday, February 7th, I headed up to Payson/Pine to call for the Zane Grey Twirlers. They’re listed as being in Payson, but, like so many other places, they’ve been priced out of spaces inside the city limits and had to move down the road to Pine. It’s a nice little facility and it isn’t *that* far off the beaten path. It is, however, a trek for me, so I had to get a fairly early start.

I went solo because we were expecting company later in the week and Martha wanted to clean and run some errands.

The trip was uneventful and we had a nice dance. I split the tips alternating between Mainstream and Plus. I don’t like doing that because people sit for too long, but, I suspect that there’s an amount of learned behavior that has made this practice acceptable. I’d rather call Mainstream for an hour or so and then call Plus for an hour or so.

They had two squares with just a little overlap between those that knew Mainstream and those that knew Plus. Nearly everyone stayed the whole time. One couple did leave early, but they (like me) had a day job and got up at the insane hour of 4 a.m. Ewwww…

I workshopped a little bit, but I tried not to do too much. Coordinate was causing some problems as was Crossfire, so I spent some time working both of them. Coordinate’s biggest issue? The initial circulate. It seems that is one of the biggest issues that I see in our square dancing populations. As dancers move up the “program ladder” they take shortcuts. Callers are partly to blame because we’re the leaders that are letting this happen. However, when I’ve stuck to my guns it doesn’t usually work out well for me.

After a number of repetitions, we got the Coordinate down pat fron the standard formation. I did take a chance and call it once from a different formation. Don’t worry, I walked them through it and made sure they celebrated when they were done.

It was a good dance and everyone had fun. I’m not sure when I’m headed back there, but I’m looking forward to it.

Until next time, keep dancing!

2009-02-09 Bucks and Bows

March 6th, 2009 1 comment

News from square dance land!

On February 9th, I headed up to Scottsdale to fill in for the talented Dale Dockery at Bucks and Bows. I’d learned from my previous experience there to avoid much of what people call DBD. DBD is an acronym that means “Dance By Definition.”

Somehow, somewhere, somebody decided that the term DBD would represent a harder skill level of dance. The thought is that, if you know the definition of a call, no matter the formation or position you are in, you can dance it. The truth is that it is among the more asinine things that has ever been created by the square dance community. If you think about it, EVERY square dance EVER is done using the definitions of the calls. If you didn’t, you’d be wandering around.

Anyway, what I leaned at the B&Bs from my last time filling in was that there are a number of dancers there that prefer the standard positions of calls ONLY. Variations are tolerated in small amounts.

When I teach things, I tend to stick to the standard formations then branch out with more creative uses of calls at workshops and dances. However, I will show some calls from two positions, if it is warranted. For those in the square dance community, calls like Scoot Back, Follow Your Neighbor, and Split Circulate have both sexes doing each of the actions. More than that, it can be detrimental to the learning process.

The note I got from Pat and Dale said to review:

All 8 spin the top
Ping Pong circulate
Linear Cycle
Coordinate
Chase Right
Grand Swing Thru
Single Circle to a Wave
Relay the Ducey
Then, if I had time, I was to teach:
Trade the Wave
<ANYTHING> and Spread
The review went well. There were some hiccups. So, we stopped to fix them along the way.The hardest thing for some people to do (especially the experienced dancers) is for them to touch hands after a move is over. Somehow we get this idea that is like “I know where *I* am going” but the handholds are usually for other people. Once we get into good habits like hand touching, the calls are executed much better.
Chase Right is a great example of this. When you’re looking out, if you touch the person next to you, you know where your partner (of the moment) is and you can see the Box of 4 that you are in. Once we started touching hands, the glitches went away.
One of the hardest calls to teach is Relay the Deucy. It is not a hard call AT ALL, but 8 people are working at once and four people are doing one thing while the other four are doing something else. Meanwhile, EVERYONE seems to be in a hurry. I want to get a shirt that says “Square Dancing is sponsored by NASCAR.” Trouble is, only a few would get the joke.
Trade the Wave is an easy call to teach. Though, I use a DBD (yuck, I hate even using that term) approach. I have Boy/Girl/Boy/Girl ocean waves and simply have the same sexes trade. The trick is to see that you’re walking towards the center of the wave while you’re doing it. Then, once you’ve learned where the call ends, I can put people in a Boy/Girl/Girl/Boy wave or a Girl/Boy/Boy/Girl wave and have them trade with the person that is facing the same direction they are. (Hence the helper phrase… Take a Peek – Trade the Wave.)
<Anything> and Spread is a call modifier. That is, you do a call, and then the Spread has the Centers slide away from each other while then Ends take their place as Centers. There are not a lot of calls that provide great flow for this, but there are a few. The one I started with was, from a Static Square, Heads – Star Thru and Spread. This is a great way to set up Boy/Boy/Girl/Girl lines.
We played around with the calls all night and we had a great time. One really funny moment was when I thought we were done at 9. Class doesn’t end until 9:30. I was all worried about getting out on time and I was nowhere near correct.
I had a really good time. I’m looking forward to calling there again.
Until next time, keep dancing!

A rant on learning how long it takes to learn to square dance

March 3rd, 2009 3 comments

In the beginning there were no standardized square dances. Every caller had their own list of calls and knew how to teach them. Eventually, a few braves souls sat down to flesh out a list that would let callers travel around the nation, then internationally, and call dances.

In the 1950s and 1960s, the list most clubs had/used was called Basic. Then what we call the Mainstream program (prior to some evolution of calls and definitions) was called the Extended Basics. There were Basic clubs all over the US. Clubs that had a waiting list to join. Today, I don’t know of a single Basic square dance club in the United States. I’m sure there is one somewhere, but I have no idea where it is.

I just got through teaching a Mainstream class here in the valley. To just teach the Basics, it took 20 weeks at 2 hours a night. The club wanted me to graduate Mainstream at this time. (After 20 weeks.) The semi-official party-line from Callerlab is that 56 hours is the recommended teach time. (Thinking of course, that it works like cooking. 30 minutes at 450 degrees is not the same as 60 minutes at 900 degrees. It takes time to process the calls and you can’t learn them in one sitting.)

20 weeks to Basic is 5 months.

Another 16 hours of instruction to Mainstream is another two months (at 2 hours per session) of classes.

Frequently, we say that it takes 6 months to learn how to dance Mainstream, but in reality it is 7 months. We sugarcoat it so it doesn’t sound as bad.

I said that there were Basic clubs in the 1950s where did they all go? From what I can tell, the experienced dancers all left to join the Extended Basic clubs. My take on it is that they wanted to get away from the beginners, or, at the very least, those that weren’t very good. The net result of this is that the Basic clubs dried up and the Extended Basic clubs started teaching beginner lessons. The Extended Basic clubs soon became known as Mainstream clubs. Many places around the country, the same thing that happened to the Basic clubs happened to the Mainstream clubs. The experienced dancers moved to Plus and the Mainstream dancing evaporated. Now, plus clubs are the entry program.

The Square Dance Plus program is another 38 hours of instruction. That’s another 4 months and 3 weeks of lessons.

Starting from Zero and going to Plus is, if we follow the recommended guidelines is 94 hours of instruction. Dancing once a week for two hours at a time, this is eleven months and three weeks. Give everyone a week off, and you’ve got a full year of lessons to get into a Plus club.

I can’t think of another club of ANY type that makes you wait a year to join.

What options do we have then?

It seems that it is time to either evolve or resolve to fade away.

There are some callers and clubs that have offered a set of intensive learning sessions. Some call them Blast Classes but they’re also called Fast Track Classes. They’re all-day sorts of sessions and run over a bunch of weeks on weekends. Sometimes, they’re all day on Saturday and Sunday. Other times, they’re just one day a week.

The goal is to get them in and up to speed quickly.

The drawback is that the retention that comes with weekly repetition is not there.

Also, there is no way to cover 94 hours of instruction in a couple of weekends. People don’t learn this way. People don’t enjoy this as it becomes work.

As you can see, our existing structure we have is difficult to support and has not been self-sustaining. This is why we’re in the place we’re in as a whole.

Can we make some changes to make it work?

Yes, I believe we can. I believe we HAVE to.

I’d been working on a plan to pare down the Mainstream list into smaller sections that were much more self-sustaining until I learned of a similar plan put together by the Rio Grande Valley Caller’s Association in Texas. They put together a 50 call program (it cuts out 19 calls from the Mainstream list) that can be taught in 20 hours. (10 weeks.)

The problem is that it is not a national or international standard. However, that is it’s only drawback. It is easy to teach/learn, uses calls that existing Mainstream and Plus dancers know, and can be adapted to a variety of teaching styles. While it is missing calls that I think it needs and has others that I think could be left out, it is a solid list of Basics and a great starting point for those interested in learning how to square dance.

Once it is taught, it needs to be danced. And danced. And danced.

Then, should we decide, we could offer another session of Blast/Fast-Track that fills in the holes up to the Mainstream program.

The biggest concern… UNDER NO CIRCUMSTANCES should the full Mainstream program be taught in a Fast-Track or Blast session. All it will do is burn a dancer out. Once they’re gone, they’re gone FOREVER.

We need to teach dancers to dance, and let them enjoy the experience.

It is somewhat cliché, but it is so very true. One year, offer the Fast-Track class of 3-4 weeks and the next year, offer Fast-Track II. We could even offer the Fast-Track I class several times. Then, as people get comfortable dancing what they know, it will be that much easier to introduce more calls later. To make things easier, it will be possible to do a quick teach during a dance of some of these missing calls as a workshop. Then, in Fast-Track II, the teach simply becomes a review.

There’s a comedian that jokes about his love life. He walks up to a woman and says three words that could change her life. “Lower. Your. Standards.”

That is not what I’m talking about here. What I’m saying is “Change. Your. Expectations.”

Is it different? Yes. Will it take work? Yes. A smaller program means work by all parties. This also means by any visiting callers that come through your area. They need to know that they have to adjust their programs accordingly.

2009-02-04 Desert Mainstreamers

March 2nd, 2009 No comments

News from Square Dance Land!

Lessons on the 4th were a little more quiet than usual. We had a few new couples. (Visitors from another club that is learning Mainstream in the area.) However, a number of folks were absent. It may have been the cold/flu-like bug going around, I’m not sure.

It was more of the same this week. Nothing spectacular. Lots of review. The call, Circle to a Line, seems to cause everyone problems. I’m not sure why. I don’t think it is lack of me calling it. However, there are some truisms in square dance land. One of them is, if dancers can’t do something, don’t call it. A corollary to this is, “if dancers can’t dance something correctly, don’t call it.”

I’m afraid that if I use the call too much, and they don’t get it, then I’m just going to make people mad. Though, if I don’t call it enough to get people comfortable with it, I run the risk of not doing my job in preparing everyone to enjoy the wide world of square dancing.

So, for our two hour session, I reviewed calls like Circle to a Line and tried to move into some uncharted territory. By uncharted territory, I mean calls that I either skipped like Half Sashay, or some of the variation of circulates.

I joke about my teaching style is one I learned in the shower… Lather. Rinse. Repeat. That’s what I do. I’ve found that it has been very effective when I combine it with one other instruction, review.

More than ever, I’ve found that having a targeted preparation for every dance is the best thing. In a sense, I’m creating a special dance just for this one night and just for these people. True, sometimes I don’t even get close to what I’ve prepared. However, when I do, there’s little that makes me feel better.

The downside of the night was that talking to the treasurer, he implied that they want to change the start time of the dance after graduation. We’d be going back to 6 p.m. It really frustrates me that no one would come out and just tell me. I have to hear it in whisperings and then ask. So, I asked, rather than hire someone else, let me see if I can make it by 6.

I really enjoy this group. There are a lot of great people here and I want to be part of what they have going on in this park.

We’ll see.

Until next time, keep dancing!